Browsing by Keywords "σύνθεση"

Now showing items 1-7 of 7

  • Complete music personal material self recorded in a non professional workspace and promoted with the use of social media.

    T.E.I. of Crete, School of Applied Sciences, Department of Music Technology and Acoustics Engineering (in Rethymno)
    Authors: Panagos, Thodoris
    Thesis advisor: Kalozakis, Spyridon
    Publication Date: 09-02-2016
    Music is an integral part of everybody’s life and it works as a link in order to strengthen relations and establish social groups within society. In the age we live in, music and social media have a symbiotic relationship ...

  • Sign language: optical recognition and creation-composition.

    T.E.I. of Crete, School of Engineering (STEF), Department of Informatics Engineering
    Authors: Fragioudaki, Antonia; Fragioudaki, Michalia-Elpiniki
    Thesis advisor: Triantafyllidis, Georgios
    Publication Date: 21-09-2011
    The purpose of this thesis entitled "Sign Language: Visual Recognition and Creation- Membership" is to create a number of Greek words using sign symbols, based on the Dictionary of SignWriting. The SignWriting system is a ...

  • Composing an electroacoustic music piece using the databending technique.

    T.E.I. of Crete, School of Applied Sciences, Department of Music Technology and Acoustics Engineering (in Rethymno)
    Authors: Koureli, Marina-Evangelia
    Thesis advisor: Tzedaki, Aikaterini
    Publication Date: 2016-10-04
    The aim of this thesis is the creation of an electroacoustic music composition, using sounds that result from the databending technique. Databending is a process that is used in Glitch art/ music, in which raw data, such ...

  • Composition of original music work for guitar and live electronics.

    T.E.I. of Crete, School of Applied Sciences, Department of Music Technology and Acoustics Engineering (in Rethymno)
    Authors: Zafeiriadis, Stefanos
    Thesis advisor: Tzedaki, Aikaterini
    Publication Date: 2020-10-21
    The purpose of this dissertation is to create an original musical work for guitar and live electronics. The theoretical text presents the general historical and theoretical context of the respective musical works for ...

  • Design of virtual machine production of polyphonic rhythmical patterns with use to musical improvisation and musical synthesis.

    Η.Μ.U, School of Music and Optoacoustic Technologies (SMOT), Music Technology and Acoustics Dept.
    Authors: Orfanos, Georgios
    Thesis advisor: Tzedaki, Aikaterini
    Publication Date: 2020-10-08
    The aim of this research was to create a collection of different varieties of impulse sounds through recording and processing of them, to develop a software in Max/Msp capable of creating different rhythmic patterns and ...

  • Original electro-acoustic composition for saxophone and fixed media.

    Η.Μ.U, School of Music and Optoacoustic Technologies (SMOT), Music Technology and Acoustics Dept.
    Authors: Zervas, Theodoros
    Thesis advisor: Tzedaki, Aikaterini
    Publication Date: 2021-01-11
    The subject of the current paper is the creation of a original electro-acoustic composition for saxophone and fixed media. The project consist of two parts, a theoretical and a practical. The practical part includes the ...

  • Implementation and subjective evaluation of techniques in impact sound augmentation.

    Η.Μ.U, School of Music and Optoacoustic Technologies (SMOT), Music Technology and Acoustics Dept.
    Authors: Spanakos, Stylianos
    Thesis advisor: Stefanakis, Nikolaos
    Publication Date: 2020-10-20
    The present thesis studies Augmented Reality under the prism of sonic content; apesifically, of impact sounds. We define sound augmentation as the result of mixing a natural impact sound with a synthetic one or with an ...