Now showing items 1-8 of 8

  • A stereo sonic interaction system triggered by impact sounds.

    H.M.U., School of Music and Optoacoustic Technologies (SMOT), MSc in Sound and Music Technologies
    Authors: Kappis, Achilleas
    Thesis advisor: Stefanakis, Nikolaos
    Publication Date: 2022-05-26
    Sonic interaction is an active research field with applications in video games, smart homes and music performance. It allows for both tangible and intangible control through a wide variety of electroacoustic transducers ...
  • Creation of a platform for the study of acoustic behavior of large enclosed space in excel.

    Η.Μ.U, School of Music and Optoacoustic Technologies (SMOT), Music Technology and Acoustics Dept.
    Authors: Papadaki, Aikaterini
    Thesis advisor: Stefanakis, Nikolaos
    Publication Date: 2023-07-17
    The theoretical calculation of the reverberation time is one of the most crucial requirements when studying the acoustics of a closed space. The process can become quite cumbersome, considering the different approximations ...
  • Creation of an excel platform for studying the acoustic behavior of a space regarding an electroacoustic installation.

    Η.Μ.U, School of Music and Optoacoustic Technologies (SMOT), Music Technology and Acoustics Dept.
    Authors: Bagiokos, Vasileios
    Thesis advisor: Stefanakis, Nikolaos
    Publication Date: 2022-05-19
    In this Thesis, a program for the study of the electroacoustic facility in an open or closed space was developed. The program allows calculation of parameters of the direct or reverberant sound field across a continuous ...
  • Guitar audio augmentation system with the use of wavetable synthesis technique.

    Η.Μ.U, School of Music and Optoacoustic Technologies (SMOT), Music Technology and Acoustics Dept.
    Authors: Stellas, Zacharias
    Thesis advisor: Stefanakis, Nikolaos
    Publication Date: 2023-03-23
    In this Thesis, we present a system for augmenting the sound of a guitar by producing a synthetic sound layer using wavetable synthesis techniques. Core to the process is a real-time transcription mechanism that operates ...
  • Collaborative editing of user-generated video by users who are attending the same concert.

    Η.Μ.U, School of Music and Optoacoustic Technologies (SMOT), Music Technology and Acoustics Dept.
    Authors: Kedaritis, Dimitrios
    Thesis advisor: Stefanakis, Nikolaos
    Publication Date: 2023-04-24
    User Generated Content (UGC) refers to digital content such as text, photos, sound, and video recordings, produced by everyday users of mobile devices. Huge amounts of such content is produced every day and become ...
  • Automatic mixing techniques for capturing and reproduction of a spatially extended sound scene.

    H.M.U., School of Music and Optoacoustic Technologies (SMOT), MSc in Sound and Music Technologies
    Authors: Roumeliotis, Spyridon
    Thesis advisor: Stefanakis, Nikolaos
    Publication Date: 2023-07-20
    When capturing a spatially extended sound scene, it is advisable to use multiple microphones distributed in space. However, the mixing and processing of the multiple audio channels is a challenging process due to problems ...
  • Construction of looper pedal with Python and the use of an self adapted analog foot pedal.

    Η.Μ.U, School of Music and Optoacoustic Technologies (SMOT), Music Technology and Acoustics Dept.
    Authors: Tzekakis, Nikolaos
    Thesis advisor: Stefanakis, Nikolaos
    Publication Date: 2022-05-11
    The use of looper pedal is very popular in recent days, either for training or for live musical performance. There is a wide a variety of choices and price options. The goal of this project is the remodeling of a cheap ...
  • Implementation and subjective evaluation of techniques in impact sound augmentation.

    Η.Μ.U, School of Music and Optoacoustic Technologies (SMOT), Music Technology and Acoustics Dept.
    Authors: Spanakos, Stylianos
    Thesis advisor: Stefanakis, Nikolaos
    Publication Date: 2020-10-20
    The present thesis studies Augmented Reality under the prism of sonic content; apesifically, of impact sounds. We define sound augmentation as the result of mixing a natural impact sound with a synthetic one or with an ...